So I decided to record a bit of my music practice and put it on youtube. I’m not a huge Adele fan, but the song is fairly simple and fun to play.
I’ve always had a hard time making music. As someone who is a ‘natural’ in a lot of ways, struggling with my own self expression in music has been a point of frustration for me for years. I started playing guitar 6 years ago, and through lack of dedication and general confusion I’ve never managed more than a weak rythym guitar at best. I used to have the voice to make up for it, though I haven’t done any vocal training in years. As part of my new year’s goals (not resolutions, but goals!) I wanted to go back to making music, and it starts here and now. 🙂
It’s by no means perfects, but I’m proud of my accomplishment.
I don’t know where this came from, I opened my mind to creativity and now it has manifested. I don’t even like horror very much, usually I get too scared, but as I thought of what viable set and props I had it became apparent that would be the most successful route to take. I created this as campy B horror film.
My main influences were: Kill List, Maniac
I also took some influence from the music of Marilyn Manson, and Rasputina.
This is a clip from my next short film. it’s still rough, but as of right now I’m fairly satisfied with the direction I’m taking. I fully plan on layering more components into this, but here are the humble beginnings.
My main sources of cinematic inspiration when creating this piece were Stoker, and Amelie. I love the whimsical/dramatic style of narration in those movies. I really enjoyed adding the narration and subtitles, it was like a project within a project (projectception? too far?). I wasn’t quite prepared for the nostalgia this project awoke in me. Speaking French is something I rarely get to do, it’s a little known fact that I studied it my entire school-age life. Something about experiencing the language opens a sort of portal back to those childhood feelings. My cat knows all about it: she was there, never wavering in her daily activities.
So this video was made by my friend Lil’ Coatie over at Hardcore Anarchy as a parody of Lil Wyte’s Oxy Cotton. She first showed me this rap around new years. We were all chilling with some friends’ over at their house, talking about our hopes and various artistic endeavors. Around one in the morning, with a half smoked Bronson in one hand and a smartphone in the other, she played the track and showed us this fantastic parody. I’ve been looking forward to the video ever since. Drawing on her talented circle of friends, they designed and produced this over the past couple months, finally releasing it earlier this week.
Already she has been shared by Lil Wyte on Twitter!
All weekend I’ve been shooting thousands of stills in anticipation of my next video project: Stop Action. It occurred to me I never posted a proposal for this project. The objective is to document some kind of routine. The most obvious subject for me is my cat. She’s been my best friend for the past 14 years. I have been developing a collection of photos and art about her for several years now, it only seems natural to map her routines. So far I’m focusing on her sleeping, since that is her major pass time. I’m hoping to catch her doing some other things also, though it’s hard to document cats without influencing their behavior. She keeps looking up at me in confusion, or she wants to rub her face on the tripod, or she walks out of the frame. The key is just patience, I’m positive I’ll have some good scenes when I start combing through the raw frames.
Our next project deals with stop action and ‘mapping routine.’ As my example for this I’m posting one of my favorite pieces of stop action film. It’s not about mapping routine, but I still think it’s worth while to examine because it does follow specific parameters. Anyway here’s the film:
I think this video is relevant to our project because it is stop action, and it does follow some specific parameters. I think I can say it does map routine, because it is a symbolic portrayal of dreaming. As far as parameters for shooting, all the action in the film happens on the bed, which creates that specific dream sphere. Technically, it’s very smooth as far as stop action is concerned, which is one of my major concerns in using this medium. It must have been made with some kind of steady/mounted camera, and a high frame count, to create the apparent smoothness of the scene. I love how whimsical it is, and also how simply it was made. They use everyday objects to create more fantastic surroundings, it draws the viewer into the imagination of the overall piece.